I love Noah. I fell hard the instant I heard his rendition of "Sexy and I Know It." He took it to pieces and brought the innate irony of the song to new heights. A round-faced, ruddy-cheeked cherub with the voice of a Delta bluesman, the boy has chops. And he keeps turning out glorious covers of good songs and bad. He elevates them all.
It occurred to me this morning as I was listening to his transformation of One Direction's "Story of My Life" just why it is that I love Noah so. I loathe One Direction, another prefab pop act designed in a board room. My daughter's twelve -- their target market -- and she knows their music insults her intelligence. Her instincts are intact. She quickly intuited that they exemplify the contempt the industry has for her. Their music is the worst kind of dreck. But there was Noah making it beautiful. So naturally I thought of Orwell's 1984.
I thought of George Winston puzzling at how the pointless entertainment churned out by a machine could be brought to life by an authentic human voice.
Under the window somebody was singing. Winston peeped out, secure in the protection of the muslin curtain. The June sun was still high in the sky, and in the sun-filled court below, a monstrous woman, solid as a Norman pillar, with brawny red forearms and a sacking apron strapped about her middle, was stumping to and fro between a washtub and a clothes line, pegging out a series of square white things which Winston recognized as babies’ diapers. Whenever her mouth was not corked with clothes pegs she was singing in a powerful contralto:
It was only an ’opeless fancy.
It passed like an Ipril dye,
But a look an’ a word an’ the dreams they stirred!
They ’ave stolen my ’eart awye!
The tune had been haunting London for weeks past. It was one of countless similar songs published for the benefit of the proles by a sub-section of the Music Department. The words of these songs were composed without any human intervention whatever on an instrument known as a versificator. But the woman sang so tunefully as to turn the dreadful rubbish into an almost pleasant sound. He could hear the woman singing and the scrape of her shoes on the flagstones, and the cries of the children in the street, and somewhere in the far distance a faint roar of traffic, and yet the room seemed curiously silent, thanks to the absence of a telescreen.
I thought of how her lovely voice reminded Smith that where there is soulfulness there is beauty and there is hope.
As he looked at the woman in her characteristic attitude, her thick arms reaching up for the line, her powerful mare-like buttocks protruded, it struck him for the first time that she was beautiful. It had never before occurred to him that the body of a woman of fifty, blown up to monstrous dimensions by childbearing, then hardened, roughened by work till it was coarse in the grain like an over-ripe turnip, could be beautiful. But it was so, and after all, he thought, why not? The solid, contourless body, like a block of granite, and the rasping red skin, bore the same relation to the body of a girl as the rose-hip to the rose. Why should the fruit be held inferior to the flower?
‘She’s beautiful,’ he murmured.
‘She’s a metre across the hips, easily,’ said Julia.
‘That is her style of beauty,’ said Winston.
He held Julia’s supple waist easily encircled by his arm. From the hip to the knee her flank was against his. Out of their bodies no child would ever come. That was the one thing they could never do. Only by word of mouth, from mind to mind, could they pass on the secret. The woman down there had no mind, she had only strong arms, a warm heart, and a fertile belly. He wondered how many children she had given birth to. It might easily be fifteen. She had had her momentary flowering, a year, perhaps, of wild-rose beauty and then she had suddenly swollen like a fertilized fruit and grown hard and red and coarse, and then her life had been laundering, scrubbing, darning, cooking, sweeping, polishing, mending, scrubbing, laundering, first for children, then for grandchildren, over thirty unbroken years. At the end of it she was still singing. The mystical reverence that he felt for her was somehow mixed up with the aspect of the pale, cloudless sky, stretching away behind the chimney-pots into interminable distance. It was curious to think that the sky was the same for everybody, in Eurasia or Eastasia as well as here. And the people under the sky were also very much the same — everywhere, all over the world, hundreds of thousands of millions of people just like this, people ignorant of one another’s existence, held apart by walls of hatred and lies, and yet almost exactly the same — people who had never learned to think but who were storing up in their hearts and bellies and muscles the power that would one day overturn the world. If there was hope, it lay in the proles! Without having read to the end of THE BOOK, he knew that that must be Goldstein’s final message. The future belonged to the proles. And could he be sure that when their time came the world they constructed would not be just as alien to him, Winston Smith, as the world of the Party? Yes, because at the least it would be a world of sanity. Where there is equality there can be sanity. Sooner or later it would happen, strength would change into consciousness. The proles were immortal, you could not doubt it when you looked at that valiant figure in the yard. In the end their awakening would come. And until that happened, though it might be a thousand years, they would stay alive against all the odds, like birds, passing on from body to body the vitality which the Party did not share and could not kill.
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